Remember me
     
Home arrow Resources arrow Playwriting tips
Playwriting tips Print
In March 2005 My Uncle Arly, written by Shôn Dale-Jones and David Farmer, toured to Los Angeles and New York as part of Webplay, an internet-based arts education project that links children from around the world to learn about theatre and each other. David Farmer was interviewed by Jon Williams of Webplay to inform the young participants about the writing process.

Jon: What do you need to write a play?

David: Well you need a really good idea. You need an idea that excites you. If you aren’t excited by the idea when you start then you won’t be in six months time and that can be how long it takes to write a play. The other really important thing to consider is the audience you are writing for. I write plays for young audiences and their families. Some of the plays I write are aimed at 3 year olds and some are aimed at 12 year olds. Before I start writing a play I have to think very carefully about the language I use and the issues I address.

Jon: How do you keep a play interesting?

David: Well, there are two things that I think help keep a play interesting. Firstly it is what the play looks like. A lot of the work that we do has to be very visually appealing so that children of all ages and abilities can engage with what we are showing them. Secondly and most importantly you must set up a story that the audience engages with and the way I do that is set up a conflict between one or more of the characters that is resolved towards the end of the play.

Jon: Finally, have you any top tips for all our budding playwrights taking part in this year’s WebPlay?

David: Never discount any of your ideas. Write them all down especially if you are writing your first draft as you never know what magical place an idea will take you. If you ever get stuck for an idea just keep writing and you’ll find that more and more ideas will come to you. It is only when you come to the second draft that you should start editing. Then you can decide which scenes work the best. It is at this point that your play will really start to take shape.

'Sensationally silly and utterly brilliant... a sensational piece of ensemble playing…utterly brilliant.'
- Sunday Herald * * * * *